Tag Archives: literature

Written/Unwritten is out!…..STILL!!

I mean it is out and about where people can just walk into places and events and buy it

book pics
I had this cute idea that I would write a monthly update about how things are going with Written/Unwritten—as if the rest of the world would stop just because this book is out in the world.
That’s not the way it works. Papers must be graded, forms must be filled out, walking pneumonia must be had, and, it turns out, if I’m going to a conference I still actually have to get myself there, with something useful to say.

But it’s all the good kind of busy, and I’m thankful to be busy.

I wasn’t sure what would happen when the book was published. I certainly had fantasies about what would happen (still waiting for the Brooklyn Public Library to add it to its shelves and for that one line from that one critic), but I didn’t know what people would do it with. It also wasn’t clear to me how people would read it after the election, or, to be honest, whether they would read it at all or not. I’m happy to report that they have read it. They are reading it! REALLY reading it! They’re reading it on their own, in groups at colleges and corporations, and giving it to their deans and provosts. I heard a rumor that one dean bought copies for the 2017 incoming faculty at his college (BTW & FYI: for group discounts contact Dino Batista at UNC Press)

As I mentioned at the end of the first month, it was great to see The Chronicle of Higher Ed and Inside Higher Ed feature articles and reviews about it. Colin Dicky makes the case that in this particular political moment the narratives in Written/Unwritten or more necessary than ever in this interview we did for the Los Angeles Review of Books. Diverse Issues in Higher Ed’s thoughtful review highlights an important, prescient point in the essay by Lisa Sánchez González: “Academic freedom has been and continues to be an endangered species in our post-9/11 era, which only compounds the risks that have always existed for the most vulnerable intellectuals in academe.”
diverse review pic
Monica Mercado hosted a live TwitterChat that left us both breathless. I paid her in books, but really her work for this could never be adequately compensated.

A wise friend has forbidden me from reading the reviews on Amazon and Goodreads, but if you look, you’ll see that we have some stars, and I’m happy about that…thrilled. My dad and I went through the WorldCatalog together to see which libraries carry the book. You’d think I’d be happy to see how many libraries have it on their shelves, but I’m giving side-eye to the holdouts. #neversatisfied.

After Barnard hosted the book’s first official event, I was asked to be this year’s keynote speaker for Indiana State’s annual recruitment webinar. I’m figuring this out as I go, but I’ve learned that the best talks and webinars are a result of a collaboration, and so I’m thankful to Josh Powers at Indiana State and my colleague Milton Fuentes at Montclair for brainstorming with me ahead of my talk. There’s a lot packed in Written/Unwritten, so it’s helpful in these talks to know what people find helpful.

Next up for Written/Unwritten is a June talk with the NEH’s Next Gen Humanities PhD Consortium about doctoral education, diversity, and life outside/beyond the tenure-track, and in September I’ll be at the University of North Carolina Chapel Hill, hosted by the Institute for the Arts and Humanities.

As for me:

I’m on to my next book (more about that soon). In June I’ll be doing some work with the National Humanities Center and am on a panel talking Mary Shelley and Felicia Hemans at the British Women Writers Conference.

If all goes well, in July I’m planning to disappear with friends to work on the next books. Then in August, the week before my birthday (August 14th…and it’s never too early to start shopping) I’ll be one of the 2017 Fellows at the Digital Pedagogy Lab. I’m excited and nervous, but I’m also hopeful that my workshop will be a collaborative one with ideas and strategies and hope the participants can take with them.

These first months have been busy and more than a little dizzying, but the circle of people who care for me is strong and solid, showing up just when I need them. I’m so thankful to all of them, so grateful to have folks who celebrate with me, celebrate me, shake some sense into me when I need it, and travel with me as I go about this work.

More….when I next take a breath.

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Filed under Diversity Reporting, Race and Tenure Op-Ed

CFP: Blackness Without Race: Essays on the Subversion of Race by Way of Blackness in Literature, Media, and Culture

Posting for a friend:
Submissions and inquiries to Jennifer E. Henton. Jennifer.Henton@hofstra.edu

Blackness Without Race:
Essays on the Subversion of Race by Way of Blackness in Literature, Media, and Culture

 Recent trends in national politics and popular culture suggest that race is now an antiquated or problematic category of human differentiation. Race is currently considered nebulous and ubiquitous, if not a flawed code that hearkens back to an archaic past. Supposedly, phenotypes or genetic material cannot sustain the biological connectivity between humans. Students suggest as much when they don tee shirts that state: “We Are All Africans” (thereby emphasizing that all humans originate from Africa despite their visual classification). Meanwhile, contemporary academic studies reflect the same stance: the category is useless in the face of transgressing experiences of oppression or cultural amalgamation (e.g. Against Race, The Melancholia of Race, and Desiring Whiteness). Yet many discourses emerging from black studies and critical race studies expose such ideals of non-race as a proponent and signal of dominant white culture rather than as an actual liberation from race, and many groups assert and “stand by” their racial category, remaining resiliently vocal about the pleasures of their demarcated belonging. Further, many racial minorities recognize and resist the nuances of aversive racism lurking behind decisive leanings towards racelessness and contemporary versions of colorblind ideals.

Recognizing that the struggle towards freedom from race has merits, this anthology, then, seeks essays that approach racelessness from the vantage point of blackness rather than the standard normative proffered by neutral models that may mask whiteness. Tangled as the topic may seem, transcending race by way of the racialized rather than the race-free or race-neutral—which dangerously places the parameters of discourse within the scope of whiteness—sets this collection apart from other attempts to devolve race. Other approaches may serve to reduce the experiences and pleasures of specific target identity group belonging. Transcending efforts—attacks on affirmative action, attacks on black studies, claims of racial equality met via the Obama-era pact—deny that the characteristics/distinctions/powers of specific group membership carry their own positive insignia. Within the varied contributions of black expression and the distinct responses to historical moments wherein Western European groups relied on and targeted African descendants for expansion/economics/psychical anxiety, black expression continues to firmly refute the race-transgression trend; blackness moves the discourse away from race but maintains the more evasive and elastic term blackness. Many assert that while race is a problematic restriction, blackness remains useful as a means of self-expression, self-recognizing epistemology, and cultural aesthetics.

Papers that pursue how blackness (U.S. and global) can and does exist without responding to or depending on “race” are also welcome. Few studies have explored how race might be quashed while blackness is both culled and intact. Ideas for papers on art, literature, film, philosophy, religion, food, dance, music, and media are invited to exchange ideas about how blackness works in this way.

Deadline for full essays of 7500 words is January 15, 2014.

Please submit word document essays using MLA citation system. Additionally, please submit a 300-word abstract preceding the full essay submission and a brief academic bio of all contributors.

Submissions and inquiries to Jennifer E. Henton. Jennifer.Henton@hofstra.edu

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